Announcement:
I've been doing this for a whopping two months, so I'm still finding my way. Â Thank you for being good sports!
Next week will be a review week. Â Pick one of the prompts below. Â Take two weeks. Â (I know I keep saying there's no deadlines and there aren't. Â But feel free to take two weeks...) Â Starting June 17, the poetry and prose prompts will alternate with each other, one each week.
Thanks for playing the game, everyone! (Hey! We need a name for the game! Â Please let me have your suggestions!) Doug
Dear Gatherlings:
This week’s prose narrative point of view is what our text calls Memoir/Observer Narration, but lets call it “Characters I Have Known.† The parameters are these:
- The narrator is a specific person,
- speaking in the first person “Iâ€,
- but the main focus is on another person.
The first thing you have to think about is: who is the narrator, and how do they know what they know? Think about the Sherlock Holmes stories, narrated by Doctor Watson, Holmes’ assistant and confidant. Think how much life Watson’s involvement and point of view add to the Holmes stories!
The narrator can be a confidant like Watson, an uninvolved eyewitness, or something in between like a relative, psychiatrist, lover, or chance acquaintance. The narrator may be directly involved in the proceedings, may be affected by the events, or may not have any stake in them at all.
Readers have already submitted really fine examples of the technique to this column:
My Friend, Pablo Part I & 2 by Richard Lynn Livesay
***
This week’s poetic device is the symbol. Symbolism is a complex subject; whole books have been written on the subject.
For the purpose of this discussion, a symbol is an image which signifies the theme of your poem in some way. The symbolic value may be moral, historical, or emotional.  A symbol can be as varied as a cross, a limousine, the White House, or a bunch of balloons. The general meaning of the symbol should be well known. This, as with the allusion, is where the symbol gets its power from.
(The best metaphors, on the other hand, make unexpected associations: “She the sickle; I, poor I, the rake…,†Theodore Roethke, “I Knew A Womanâ€.)
The symbol can be a well-known abstract symbol with unambiguous emotional content, such as a cross or a swastika (Sylvia Plath’s “Daddyâ€).
It can be a historical reference or literary allusion.  In Yeats’ “The Second Comingâ€, the way he substitutes the image of the Sphinx for the second coming of Christ lends the poem enormous symbolic value and emotional power.
A symbol can be something as subtle as the environment of the poem. In Robert Frost’s “Desert Places,â€Â the barren, snow-covered desert symbolizes the narrator’s loneliness. In my “The Ringâ€, the boxing ring symbolizes the conflict between the narrator and his psyche.
The Prompt:
Poetry: Write a poem (or story or essay) which uses a symbol.
or:
Prose: Write a story (max. 1000 words) using the narrative point of view of Memoir/Observer Narration (i.e. on the subject of “A Character I Have Knownâ€) .
- Put SunWE in the title and tags.
- Indicate in some way which devices/techniques/figures I should be paying attention to if it’s not self-evident (e.g. if it’s for an earlier prompt).
- Deadlines are open. This prompt does not turn into a pumpkin a week from today. If you’re piece isn’t done by next Sunday, get it in when you can. This is supposed to be fun.
- I will comment on every submission and include a link to it in the next column.
- If you would like a little more academic critique--but still very friendly and positive--include the word "rigorous" in your post (e.g. "rigorous critique wanted").
Here are the responses to last week’s prompt. Let me know if I missed yours. I hope you can take a few minutes and read some of the other submissions.
Insouciantly,
Doug
Detached Autobiography
The Questionable Years by Karen Vaughn
Hyperbole
The Snail and the Hare by Pam Brittain
Jim and Tom and the Trouble With Tests by Stacey U.
There are also lots of cute hyperboles in the comment thread of last week’s column.
© 2012 Douglas J. Westberg. All Rights Reserved.  Please share this on Gather.com, and elsewhere on the web by means of a link back to this page, but please do not copy.  Doug's latest book is The Depressed Guy's Book of Wisdom from Chipmunka Publishing.
Doug's Gather Group is Depression and Creativity, devoted to creative writing about depression and related illnesses, and creative writing as therapy. Â Please consider joining. Â You can read more of Doug's posts there, or here.
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Comments: 46
In the meantime, I'll feature this on Gather’s Luminous Writers & Artists.
Thank you for submitting to: Not Gathering Dust!
When I was offered the sunday editor job, (I knew I wanted to do modern poetry and poetic figures), I thought, "What am I going to do for a prose prompt?" I thought the Moffett offered a fascinating topic and a great template for a series of columns. Some of the POVs have been great fun. Some have been pretty subtle. If I had it to do over, I'd run the prose prompts every other week.
My wife says to tell you I don't do anything simply...
Featured in Powerful Symbols at the Triple Name Club.
You are not alone in that corner. I am there with you. (red faced)
Have you seen the other editors prompts this week?
Andrea on Friday's got a terrific and challenging series of prompts going, too, and I highly recommend it.
Now to figure out Wednesday's challenge, which is easy, considering I don't understand so much.
(everyone gathers around, cheering on their personal favorite)
LOL
That might get the gather members out in droves. LOL
You've made us put on our thinking caps, Doug! Maybe goggles, too.
You have my rapt attention...
Now tell me why you constrain yourself by working in structural forms.
What Is Happening Today on Gather ~ Monday June 04, 2012 post.
I hope you will have the opportunity to view the other posts that are spotlighted as well.
Have a wonderful Monday!
This is a first rate prompt!
Thank you for sharing with Watching The Wind Blow By