Joy's instructions: I'd like you to find a song -- any song, any genre, anything, just so it's music -- and I want you to listen to that song, as often as you need to. Then, I'd like you to write something inspired by that song. You can do a character sketch, a glimpse into a life -- whatever. Again, I'm asking for a minimum of three paragraphs, more if you desire. If you'd like to, you could embed a You Tube video in your piece or a link to the song, so we can hear the "soundtrack" to your work, too. One thing, though -- DO NOT claim a character in a song as your own or attribute things to them the original creator did not. That's a major no-no.
Barb's note: It would probably be more dramatic to listen to the music while you read this.
The opening strains of the "Moonlight Sonata" announced his arrival in the building. He always put on classical music before he came to see her. He seemed to think that beautiful music made his actions beautiful, scientific, and beyond reproach.
She sat pressed up against the head of the bed, her leg chains straining against her ankles. She pulled up her knees and wrapped her arms around them, rocking unconsciously to the gentle beat of the music. Tears made wet circles on the knees of her jeans.
She was helpless. Drugged and nauseous, her strength drained from repeated cycles of torture and healing. Last week was bad. They had been investigating how quickly she could heal a burn. She'd felt her sanity slipping during the cycles of taking blood, "administering" the burn, taking more blood. She wasn't sure she'd completely recovered her sanity even though her skin was intact.
They'd figured out early just how hard it really was to kill her. If she could have willed herself dead, last week would have been the time to do it.
Her heart broke yet again, thinking about how she got here. Her lover, the man she'd been with for almost a year, the man who tried hard to be a good man ... had been convinced it would be only a few tests, and that "it was in the best interests of our country." But when he said it, it sounded more like "Our Country."
She'd tried to tell him it wasn't going to be "just a few tests." He trusted his country to do the right thing. The problem was that "his country" wasn't holding her. Certain superior officers who envisioned super soldiers and battlefield healings were holding her. She hadn't seen him again once she arrived. She doubted he knew they drugged and chained her. She hoped he didn't know just how painful the tests were.
The only thing that allowed her to hang onto the shreds of her sanity was the hope that her lover would come and get her. Surely he has tried to visit. Surely he wants to see her. How long has it been? She couldn't compute the time because too much of it was spent either writhing in agony or in the deep healing state.
She heard the door open and felt her heart pound. She watched for the shoes. That was the first thing she could see when he walked in. She prayed each time the door opened that the shoes would be different. That they would be his shoes, not the too-shiny government shoes her tormentor wore.
She wrapped her arms tighter around her legs as her hopes fell. She did not look up or speak. She no longer spoke to them. It didn't stop the pain. It didn't stop the tests. It did, however, anger them, and that was the only thing she could control at this point.
Oh. It's feeding time. She saw the tubing dangling from a hand.
"Will you cooperate?" he asked.
She was silent.
"I see. It's your choice." He called in an orderly.
Let the games begin, she thought.
She fought them. She always fought them. They always won, but she would continue to fight them until she was either rescued or died. She didn't hold out much hope for the latter.
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Another exercise: Launa's answers for "A game for our characters"




Comments: 30
EM JAY: Thank you.
I don't know what it was about this music assignment that made everybody want to hurt an imaginary person. Saturday WE is littered with corpses and pain, as far as the eye can see. I'm starting to worry about you people! =)
This was really good -- creepy and I got a real sense of desperate resignation out of it. I'm more intrigued with Launa with each bit you put out there. Great job!
As for worrying about us ... well, now you know what darkness lies in our souls ... :) So that's probably a good idea to worry.
Vicky: Thanks. Did you listen to the music while you read it? I actually tried to pace the story to follow with the music (at an average reading pace). I have no idea how well I did in that respect.
Wow. This read very poignantly I am loving this back story of Launa's, although it does remind me of "The Company" in Stephen King's "Firesarter", a gov't agency hidden away which performs experiments on the gifted.
So, uh when do we get to find out if or how Launa escapes the warehouse??
I'm tickled that you got the effect I'd intended as I wrote it. Not that you're depressed ... Launa obviously survived, right? ... but that the pacing of it just went so well with the music and you were able to see it. You sort of have to surrender yourself to the music to get the complete effect. The idea was to let the music carry you on to the next sentence, sort of.
As for how easily she lives life ... she doesn't have much choice, really.
I like the way Sandy had everyone come full circle to bring something from the past to the present - it helps with the character development I think. And, I like the way Launa fights, she is one heck of a "woman" isnt she? and obviously survived the ordeal ~ big hugs to you ~j
the music does really make more somehow, great job!!!!! I too, am sooo glad that I get to read this at one time, I dont think I could wait a week!!!!!
dropping u a ten!!! u know what they say about opinions? LOL keep up the great work!!!!
Thanks ;)